Andrew W. Marlowe & Terri Edda Miller

 

Creators/Executive Producers/Showrunners

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Marlowe and Miller are best known for their work on the hit ABC Television series Castle, which Marlowe created and served as showrunner for its first seven seasons, and Miller Executive Produced. Castle has been honored with numerous awards, including four consecutive People’s Choice Awards for TV’s Best Crime Drama. In addition to shepherding more than 150 episodes from script to screen, the pair broke new ground in audience engagement by extending Castle storytelling content onto multiple social media platforms.

To expand and serve their passionate fan-base, they also conceived and oversaw the Castle-inspired New York Times bestselling Nikki Heat and Derrick Storm book series, which have sold more than 3 million copies worldwide.

The pair are also the Creators and Showrunners of the International Co-Production Take Two starring Rachel Bilson and Eddie Cibrian, which aired on ABC network, Vox, Germany and France-2 in 2018.

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Marlowe’s film credits include the action blockbuster Air Force One, starring Harrison Ford, directed by Wolfgang Petersen; the Arnold Schwarzenegger millennial thriller End of Days; and the sci-fi thriller Hollow Man, directed by Paul Verhoeven, starring Kevin Bacon and Elisabeth Shue. As a member of the Motion Picture Academy, Marlowe has chaired the Academy’s Academic and Institutional Grants Committee and has served on its Film Festival Committee. Marlowe is also the founding Chair of the USC School of Cinematic Arts’ Alumni Development Council and serves on USC’s Board of Governors. 

He has taught screenwriting as an adjunct professor at USC’s School of Cinematic Arts, and guest lectured at Chapman University, Columbia University, AFI, UCLA, the Writer’s Guild of America, European TV Drama Lab, as well as numerous film festivals and media conferences. In 2010, he was invited by the Academy to deliver the annual Marvin Borowsky Lecture on Screenwriting. In 2011, he was invited to be the master class keynote speaker at the ContentAsia Media Summit, held in Singapore.

In 2015, his undergraduate alma mater, Columbia University, honored him with the John Jay Distinguished Alumni award.

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Miller is an award-winning Writer and Director of numerous short films and documentaries. She has had her work appear worldwide, including top Sundance and International film fest favorite Dysenchanted, starring Alexis Bledel, Sarah Winter and Jim Belushi. She has developed features and television pilots with Dreamworks, NBC, Disney and ABC. 

Miller is currently co-Chair on the Board of Young Storytellers, an organization that serves to help underserved students discover the joys of writing and find their own voice.  

Terri Edda Miller and Andrew W. Marlowe first met when they both won the prestigious Nicholl Fellowship in Screenwriting from the Academy of Motion Picture Arts and Sciences.

Milmar Pictures

Terri Miller and Andrew Marlowe joined forces to form MilMar Pictures with the goal of bringing imaginative multi-platform storytelling and high-quality production to audiences worldwide, formalizing the successful partnership they forged on ABC’s critically acclaimed series Castle.

Under the MilMar banner, the pair has developed projects for ABC, Endemol, and CBS Studios. Their productions have garnered honors from the People’s Choice Awards, the Imagen Awards, The ALMA Awards, The PRISM Awards, TV Guide Magazine and the Primetime Emmys.

 
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FILms and Television

 

 

press

 

Variety women’s impact report 2021:
The Women of the 'Equalizer': Debra Martin Chase, Queen Latifah, Liz Friedlander, Terri Edda Miller

Debra Martin Chase, Exec Producer

Queen Latifah, Star, Exec Producer

Liz Friedlander, Exec Producer

Terri Edda Miller, Co-Showrunner

Not only is CBS’ hit series “The Equalizer” about a strong, empowered woman, it’s made by a team of strong, empowered women, from executive producer and star Latifah and showrunner Miller (co-showrunner with Andrew W. Marlowe) to executive producer Martin Chase and Season 1 exec producer/director Friedlander. Chase believes the main character, Robyn McCall — created for Latifah — resonates so much with viewers not only because she’s a working mom performing a difficult job while trying to find balance in her life, but also because people wish they had someone like her to turn to in times of crisis. The fact that the show premiered just as the pandemic and social injustice were leaving so many people feeling isolated and helpless only intensified the audience’s reaction to the character. In McCall they saw a woman— who happens to be a woman of color—helping desperate people.

Biggest challenge in the past year? “There was also a hidden challenge and cost [to the pandemic] — people were stressed. Some were financially stressed. Some emotionally stressed. … And all of us were just fragile. Operating with more grace and compassion, trying to have a sense of humor, and realizing that things could not go back to normal as fast as any of us would like was a challenge —but it was also a huge privilege to be able to return to work,” says Friedlander.

Who is the unsung hero of your life? “My grandfather, born at the stroke of midnight to the 20th century, was a man who worked from the time he was 14 until the day he passed. In a world of voices telling me ‘girls don’t do that,’ he believed in my crazy schemes, and never thought ‘ambition’ was a dirty word,” says Miller.

What would you change about the biz? “People starting out in the business need to get paid more money. There’s this attitude that it’s a privilege to have any kind of job in this industry. So you have a situation where people at the lowest rungs, in the starting positions, get paid no money. And it’s one of the reasons why there’s historically a lack of diversity — racial and economic — in this business, because only certain people afford to have these starting positions,” says Chase.

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The Equalizer Reboot Starring Queen Latifah Gets CBS Pilot Order

CBS has given a pilot green light to The Equalizer, a reimagining of the classic series with Queen Latifah starring and executive producing. The project, which had a big pilot production commitment and had been considered a shoo-in for a pickup, hails from Take Two creators Andrew Marlowe & Terri Miller, Davis Entertainment, Flavor Unit, Martin Chase Productions, Universal Television and CBS TV Studios.

This marks the third drama pilot order for Davis Entertainment this pilot season at three different networks: Echo at NBCRebel, starring Katey Sagal, at ABC, and The Equalizer at CBS.

Written by Marlowe and Miller, who will serve as showrunners, The Equalizer stars Queen Latifah as an enigmatic figure who uses her extensive skills to help those with nowhere else to turn. This is a new take on the character played by Edward Woodward on the original series and by Denzel Washington in the movie franchise.

Marlowe, creator of ABC’s long-running hit Castle, and Miller executive produce alongside John Davis and John Fox of Davis Entertainment; Debra Martin Chase of Martin Chase Productions; Richard Lindheim, co-creator of the original Equalizer TV series; as well as Queen Latifah (real name Dana Owens) and Shakim Compere of Flavor Unit. Universal TV produces in association with CBS TV Studios.

This marks The Equalizer‘s return to CBS. The original TV series, which Lindheim co-created with Michael Sloan, aired on the network for four seasons from 1985-89. It starred Woodward as Robert McCall, a retired intelligence agent with a mysterious past who uses the skills from his former career to exact justice on behalf of innocent people who are trapped in dangerous circumstances.

The series was adapted as a feature in 2014. The film, directed by Antoine Fuqua and starring Washington as McCall, was a hit and spawned a sequel, The Equalizer 2, which was released in 2018.

Universal Television produced the original Equalizer series, while Sony did the features. Mounting an Equalizer reboot had been a priority for Universal TV over the past four to five years. There had been multiple unsuccessful attempts as dealmaking had proven difficult in the past.

This time, Uni TV employed some of the top producers on its roster — Davis Entertainment and Chase — as well as a big-name star in Queen Latifah and experienced writer-producers in Marlowe and Miller to help bring the iconic title back to TV.

Marlowe was the creator, executive producer and showrunner of Castle, on which Miller was executive producer. Most recently, the pair created and ran ABC’s summer show Take Two. 

At CBS, Davis Entertainment has sophomore drama series Magnum PI.

 

‘Castle’ Co-Creators Score Straight to series order at abc with new procedural

ABC has given a straight to series order to a new drama from Terri Edda Miller and Andrew W. Marlow, the co-creators of the hit ABC series “Castle.”

The new series, titled “Take Two,” will star Rachel Bilson and Eddie Cibrian in the lead roles. Described as an upbeat procedural, the series will follow Ella (Bilson), the former star of a hit cop series who is fresh-out-of-rehab following a bender of epic proportion. Desperate to restart her career, she talks her way into shadowing private investigator Eddie (Cibrian) as research for a potential comeback role. Though Eddie resents the babysitting gig, Ella proves herself to be surprisingly valuable, drawing on her acting skills and 200 episodes of playing a detective. When the press touts Ella’s role in solving a high-profile case, Eddie finds his phone ringing off the hook with new clients looking to hire the pair.

“Andrew and Terri are wonderful storytellers and this is the perfect project for their return to ABC,” said Channing Dungey, president of ABC Entertainment. “We’re excited to see Rachel and Eddie bring these characters to life.”

The series will be co-produced by Tandem Productions, a Studiocanal Company, and ABC Studios The series will air on ABC in the US, RTL/VOX in Germany and France Television in France. Studiocanal will act as the lead studio. ABC Studios’ affiliate, Disney Media Distribution, will handle international sales.

Miller and Marlowe will executive produce under their MilMar Pictures banner, along with Studiocanal TV’s Rola Bauer and Tandem’s Tim Halkin.

The new series is essentially a gender-swapped version of “Castle,” which starred Nathan Fillion as a mystery writer who shadows an NYPD detective, played by Stana Katic. That series ran for eight seasons on the network and was nominated for four Emmy Awards during its run.

Bilson recently appeared on “Nashville” and previously starred in the CW series “Hart of Dixie.” She is also known for her starring role in the Fox drama “The O.C.”

Cibrian is best known for his roles on the shows “Third Watch” and “Sunset Beach.” He also had a regular role in the Fox series “Rosewood” and has appeared in shows like “Hot in Cleveland,” “Ugly Betty,” and “The Young and the Restless.”

Miller and Marlowe are repped by CAA, who helped broker the deal, Management 360 and Lichter, Grossman, Nichols, Adler & Feldman. Bilson is repped by CAA. Cibrian is repped by Gersh and Media Four. Tandem Productions and Studiocanal are repped by Loeb & Loeb and CAA.


Castle’s keepers

It’s no mystery why Andrew W. Marlowe and Terri Edda Miller can maintain romantic intrigue in Castle. Get out your handcuffs. 

Andrew W. Marlowe and Terri Edda Miller exchange affectionate glances and occasionally finish each other’s sentences during our interview at their Raleigh Studios office in Hollywood. Such intimacy between a married couple isn’t surprising, but in this case it’s key to their work. As writing partners, they once endured hours handcuffed together in their living room during an attempt to create authenticity for a “Cuffed” episode of Castle. Inspired by Madeleine Carroll and Robert Donat being handcuffed in Hitchcock’s 39 Steps, their idea was to write a scenario in which the protagonists—mystery novelist Richard Castle and by-the-book NYPD detective Kate Beckett—awaken to find themselves lashed together in bed with no memory of how they got there.

We enacted a ballet in the living room as we tried to maneuver around each other,” remembers series creator Marlowe, bearded and bespectacled. “We actually had a lot of fun,” adds executive producer Miller, who has long brown hair, milky skin, and a direct and intelligent gaze.

This kind of process happens often in the writing of Castle, ABC’s romantic, banter-filled murder-mystery procedural entering its seventh season. Not necessarily the handcuffs bit, but definitely the secret lives of the 10 writers spill over into the theatrical, and in turn the theatrical influences the personal… (continue reading)

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King of his castle

From blockbuster movies to top-rated television, Andrew Marlowe ’88 has built a career telling stories that channel pop culture as well as the classics

It’s 8 p.m. on a Friday at the Raleigh Studios lot in Hollywood, and Andrew Marlowe ’88 is in the zone. The creator and showrunner of ABC’s hit Castle is filming what may be the series’ last episode.Despite the late hour it looks like broad daylight on Stage 12, which is the set for the show’s NYPD Precinct 12. In the main area are four of its stars: Nathan Fillion, Stana Katic, Seamus Dever and Jon Huertas. The group has just shot a scene from a side that faces Fillion and Katic, who play the leads, novelist Richard Castle and detective Kate Beckett. Now it’s time to shoot it all again from the other side.

In a corner of the set rests a movable area called “The Village” where Marlowe is clearly in charge, standing alongside his wife — and the show’s executive producer — Terri Edda Miller, near a cluster of director’s chairs. In front of them is this episode’s director, Paul Holahan, a few crew members and several cameras and monitors. This particular scene will be shot nine times on each side.

Dever, who plays Detective Kevin Ryan, says a line on an early take that isn’t quite right. He’s providing information to Castle and Beckett about a woman whose murder is eerily similar to one they are investigating now. “He should know that’s going to have an emotional impact on Castle,” Marlowe says to Holahan.

They take a quick break and the director goes up to Dever, relaying what Marlowe has said. Another take is filmed, and Dever’s delivery is more solemn and sympathetic. Marlowe puts two thumbs in the air and looks excited.

“That’s great!” he shouts.

After the scene finishes shooting, Marlowe explains his thinking.

“In this case, Ryan gave information that was sensitive to Castle. So the actor made the adjustment. Hopefully that made the storyline more interesting,” he says.

Marlowe would return to filming more scenes that night, and the crew would remain on set until nearly 1 a.m. Just a normal day’s work for one of Hollywood’s busiest showrunners... (continue reading)